Дизайн для реального мира - Виктор Папанек

DePoncins, Contran. Eskimos. New York: Hastings House, 1949.

Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy. London: Routledge & Kegan Paul, 1964.

Gardi, Ren6. African Crafts and Craftsmen. New York: Van Nostrand Reinhold, 1969.

___.ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.

Glynn, Prudence. Skin to Skin: Eroticism in Dress. London: George Alien & Unwin, 1982.

Grass, Antonio. Animates mitologicos. Bogota: Litografia Arco, 1979.

___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.

Harris, Marvin. Cultural Materialism. New York: Random House, 1979.

Harrison, Paul. Inside the Third World. Middlesex: Penguin, 1979.

___. The Third World Tomorrow. Middlesex: Penguin, 1980.

Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry. Tokyo: Weatherhill, 1981.

Herrigel, Eugen. Zen in the Art of Archery. London: Routledge & Kegan Paul, 1953.

Hiler, Hilaire. From Nudity to Raiment. London: W. & G. Foyle Ltd., 1930.

Hokusai. One Hundred Views of Mount Fuji. New York: Frederik Publications, 1958.

Kasba 64 Study Group. Living on the Edge of the Sahara. The Hague: Government Publishing Office, 1973.

Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood, Paper and Clay. New York: Abrams, 1967.

Jenness, Diamond. The People of the Twilight. Chicago: University of Chicago Press, Phoenix, 1959.

Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.

Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.

___.Formation of Bamboo. Tokyo: Shokokusha, 1958.

___.Formation of Stone. Tokyo: Shokokusha, 1958.

Kubler, Geerge. The Shape of Time. New Haven, Connecticut: Yale University Press, 1962.

Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.

Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.

Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.

Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.

Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-

Lopez, Oscar Hidalgo. Manual de construction con bambu. Bogota: National University of Colombia, 1981.

McPhee, Collin. A House in Bali. New York: John Day, 1946.

Music in Bali. New Haven, Connecticut: Yale University Press, 1966.

Malinowski, Bronislaw. Magic, Science and Religion. New York: Anchor, 1954.

___. Sex and Repression in Savage Society. London: Routledge & Kegan Paul, 1927.

Manker, Ernst. People of Eight Seasons: The Story of the Lapps. New York: Viking, 1964.

Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.

__. Cultural Patterns and Technological Change. New York: Mentor, n.d.

__. Growing up in New Guinea. Middlesex: Penguin, 1970.

__. Male and Female. Middlesex: Penguin, 1970.

___. Sex and Temperament. New York: Morrow, 1935.

Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.

Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.

Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.

Mowat, Parley. People of the Deer. New York: Pyramid, 1968.

Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg. Copenhagen: National Museum of Copenhagen, 1963.

Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.

Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.

Princeton, New Jersey: Princeton University Press, 1948.

Ortiz, Alfonso. The Tewa World: Space, Time, Being, & Becoming in a Pueblo Society.

Chicago: University of Chicago Press, 1969.

Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.

Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.

Ramseyer, Urs. The Art and Culture of Bali. Oxford: Oxford University Press, 1977.

Reichard, Gladys A. Navajo Religion: A Study of Symbolism. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1950.

Richards, Audrey I. Hunger and Work in a Savage Tribe. New York: Meridian, 1964.

Rodman, Selven. Popular Artists of Brazil. Old Greenwich: Devin-Adair, 1977.

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians. Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects. New York: Museum of Modern Art, 1964.

___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.

___. Behind the Picture Window. New York: Oxford University Press 10

___. The Kimono Mind. London: Gollancz, 1965.

___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197

___. Streets for People. New York: Doubleday, 1969.

___. The Unfashionable Human Body. New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand: Study of Tang Exotics. Berkeley: University of California Press, 1963.

___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley: University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance. New York: Viking Press, 1975.

Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology and Society. Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali. London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture. London: Routledge & Kegan Paul, 1959.

Sze, Mai-Mai. The Too of Painting. 2 vols. London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura: Tradition and Creation in Japanese Architecture. New Haven, Connecticut: Yale University Press, 1960.

Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture. Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use. Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro. Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne: Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar… Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil. New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen. San Francisco: City Lights, 1959-

___. The Joyous Cosmology. New York: Pantheon Books, 1962.

___. Nature, Man and Woman. New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.

Wyman, Leland C. (ed.).Beautyway: ANavajo Ceremonial. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye. New York: Norton, 1950.

__. Chinese Calligraphy. London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.

Книги и публикации дизайнеров и других авторов

Akerman, Nordal. Kan Vi Krympa Sverige? Stockholm: Raben & Sjogren, 1980.

Brecht, Bertolt. Gesammelte Werke. Frankfurt, Germany: Suhrkamp Verlag, 1967.

Cleaver, Eldridge. Sou! on Ice. London: Jonathan