Женщины Девятой улицы. Том 2 - Мэри Габриэль

Bolotowsky, Ilya, and Henry Geldzahler. “Adventures with Bolotowsky.” Archives of American Art Journal 22, no. 1 (1982).

Borden, Morton, ed. Voices of the American Past: Readings in American History. Lexington, MA: D. C. Heath, 1972.

Boris Lurie: NO! New York: Boris Lurie Art Foundation at The Chelsea Art Museum, 2011.

Boswell, Peyton. “Comments: Congenial Company.” Art Digest 16, no. 8 (January 15, 1942).

Boswell, Peyton. “Revolt of the Critics.” Art Digest, February 1, 1948.

Bowles, Jane. My Sister’s Hand in Mine: The Collected Work of Jane Bowles. New York: Farrar, Straus and Giroux, 1976.

Brach, Paul. “Review: Joan Mitchell.” Art Digest 26 (January 15, 1952).

Bram, Christopher. Eminent Outlaws: The Gay Writers Who Changed America. New York: Twelve, Hachette Book Group, 2012.

Braudy, Leo. The Frenzy of Renown: Fame and Its History. New York: Oxford University Press, 1986.

Brenson, Michael. “Lee Krasner Pollock Is Dead: Painter of New York School.” New York Times, June 21, 1984.

Breslin, James E. B. Mark Rothko: A Biography. Chicago: The University of Chicago Press, 1993.

Bretall, Robert, ed. A Kierkegaard Anthology. Princeton, NJ: Princeton University Press, 1946.

Brogan, D. W. “The Problem of High Culture and Mass Culture.” Diogenes 5 (Winter 1954).

Brogan, Hugh. The Penguin History of the United States, 2nd ed. London: Penguin Books, 2001.

Brossard, Chandler, ed. The Scene Before You: A New Approach to American Culture. New York: Rinehart and Co., Inc., 1955.

Broude, Norma, and Mary D. Garrard, eds. The Expanding Discourse: Feminism and Art History. New York: Icon Editions, 1992.

Broyard, Anatole. Kafka Was the Rage: A Greenwich Village Memoir. New York: Vintage Books, Random House, 1997.

Broyard, Anatole. “Portrait of a Hipster.” Partisan Review 15, no. 6 (June 1948).

Brozan, Nadine. “The Evening Hours.” New York Times, February 22, 1985.

Buck, Pearl S. Of Men and Women. New York: The John Day Company, 1941.

Burckhardt, Rudy. “Long Ago with Willem de Kooning.” Art Journal 48, no. 3 (Autumn 1989).

Burke, Edmund. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful. Oxford: Oxford World’s Classics, 2008.

Burnham, Sophy. “Portrait of the Artist as a Woman.” New Woman, June 1990.

Butler, Barbara. “New York Letter.” Art International 4, no. 23 (1960).

Butler, Hiram Carruthers. “De Kooning and Friends: Downtown in the Fifties.” Horizon 24, no. 6 (June 1981).

Butts, Gavin. Between You and Me: Queer Disclosures in the New York Art World, 1948–1963. Durham, NC: Duke University Press, 2005.

Calas, Nicolas. Art in the Age of Risk, and Other Essays. New York: Dutton, 1968.

Campbell, D’Ann. Women at War with America: Private Lives in a Patriotic Era. Cambridge, MA: Harvard University Press, 1984.

Campbell, Joseph. The Hero with a Thousand Faces. Novato, CA: New World Library, 2008.

Campbell, Lawrence. “Elaine de Kooning Paints a Picture.” ArtNews 59, no. 8 (December 1960).

Campbell, Lawrence. “Elaine de Kooning: Portraits in a New York Scene.” ArtNews 62, no. 2 (April 1963).

Campbell, Lawrence. “Grace Hartigan, Larry Rivers, Frank O’Hara.” ArtNews 58, no. 8 (December 1959).

Camus Albert, “Neither Victims nor Executioners.” Politics 4 (July — August 1947).

Campbell, Lawrence. “Interview: Artist as Witness of Freedom.” Commentary, December 1949.

Carmean, E. A., Jr. Helen Frankenthaler: A Paintings Retrospective. New York: Abrams in Association with the Modern Art Museum of Fort Worth, 1989.

Carr, Carolyn Kinder, and Steven Watson. Rebels: Painters and Poets of the 1950s. Washington, DC: National Portrait Gallery, February 24, 1996 — June 2, 1996.

Carr, E. H. What Is History? London: Penguin, 1991.

Cateforis, David Christos. “Willem de Kooning’s Women of the 1950s: A Critical Study of Their Reception and Interpretations.” PhD dissertation, Stanford University, 1992.

Caute, David. The Great Fear: The Anti-Communist Purge under Truman and Eisenhower. New York: A Touchstone Book, Simon and Schuster, 1979.

Caws, Mary Ann, Rudolf E. Kuenzli, and Gloria Gwen Raaberg. Surrealism and Women. Cambridge, MA: The MIT Press, 1990.

Chadwick, Whitney. Women, Art, and Society. London: Thames and Hudson, 1990.

Chafee, William H. The American Woman: Her Changing Social, Economic, and Political Roles, 1920–1970. New York: Oxford University Press, 1972.

Chafee, William H. Women and Equality: Changing Patterns in American Culture. New York: Oxford University Press, 1978.

Chancy, Jill Rachelle. “Elaine de Kooning: Negotiating the Masculinity of Abstract Expressionism.” PhD dissertation, University of Kansas, 2006.

Chipp, Herschel B. Theories of Modern Art, A Source Book by Artists and Critics. Berkeley: University of California Press, 1968.

Clarke, Donald. Wishing on the Moon: The Life and Times of Billie Holiday. New York: Viking, 1994.

Clements, Peter. Prosperity, Depression and the New Deal: The USA 1890–1954. London: Hodder Education, 2005.

Coates, Robert. “The Art Galleries: Abroad and at Home.” The New Yorker, March 30, 1946.

Coffelt, Beth. “Strokes of Genius.” WNET/Thirteen, May 1984.

Cohen, Barbara, Seymour Chwast, and Steven Heller, eds. New York Observed: Artists and Writers Look at the City, 1650 to the Present. New York: Harry N. Abrams, 1987.

Cohen, Cora, and Betsy Sussler. “Joan Mitchell.” Bomb 17, Fall 1986.

Colker, Ed. “Present Concerns in Studio Teaching.” Archives of American Art Journal 42, no. 1 (Spring 1982).

Collins, Bradford R. “Life Magazine and the Abstract Expressionists, 1948–1951: A Historiographic Study of a Late Bohemian Enterprise.” The Art Bulletin 73, no. 2 (June 1991).

Conn, Peter. The American 1930s: A Literary History. Cambridge: Cambridge University Press, 2009. “Conversation between Lee Krasner and Richard Howard.” Lee Krasner Paintings, 1959–1962, New York: The Pace Gallery, February 3 — March 10, 1979.