Изобрести современность. Эссе об актуальном искусстве - Линда Нохлин

Innovation and Tradition in Courbet’s «Burial at Ornans» // Marsyas suppl. II («Essays in Honor of Walter Friedlaender»). 1965. P. 119–126; перепечатано в: Chu PTD, ed. Courbet in Perspective. Englewood Cliffs, NJ: Prentice-Hall, 1977. P. 77–87.

†† Gustave Courbet’s Meeting: A Portrait of the Artist as a Wandering Jew // The Art Bulletin. September 1967. Vol. 49. P. 209–222.

† The Invention of the Avant-Garde: France, 1830–1880 // ARTnews Annual. 1968. Vol. 34 («The avant-garde»); перепечатано в: Avantgarde Art. New York: Collier / Art News. 1971.

Metropolitan Museum: The Inhabitable Museum // ARTnews. January 1970. Vol. 68. P. 36, 45, 58.

Ugly American: The Work of Philip Pearlstein // ARTnews. September 1970. Vol. 69. P. 55–57, 65–70.

†† Gustave Courbet’s «Toilette de la mariée» // Art Quarterly. Spring 1971. Vol. 34. No. 1. P. 30–54.

Albert Boime, «The academy and French art in the nineteenth century» [review] // The Burlington Magazine. August 1972. Vol. 114. P. 559–560.

Oh, Say Can You See? [review] // New York Times Book Review. 1973. December 2. P. 4–5, 24, 30, 36, 40, 44, 48, 50.

Formalism and Anti-formalism // Quadrille. Fall 1974. Vol. 9. No. 1. P. 35–42.

TJ Clark, The absolute bourgeois: artists and politics in France, 1848–1851, and Image of the people: Gustave Courbet and the Second French Republic, 1848–1851 [review] // Art in America. September-October 1974. Vol. 62. No. 5. P. 15.

Contribution to «Late Cézanne: A Symposium» // Art in America. March 1978. Vol. 66. P. 90–91.

Débat sur l’exposition ‘Courbet’ au Grand Palais // Histoire et critique des arts. May 1978. P. 123–138.

†† In Detail: Courbet’s «A Burial at Ornans» // Portfolio. November-December 1980. Vol. 2. No. 5. P. 32–37.

† Léon Frédéric and «The Stages of a Worker’s Life» // Arts Magazine. December 1980. Vol. 55. No. 4. P. 137–143.

Realist Tradition at The Brooklyn Museum; traveling exhibit [review] // The Burlington Magazine. April 1981. Vol. 123. No. 937. P. 263–269.

Hopper E. and the Imagery of Alienation // Art Journal. Summer 1981. Vol. 41. No. 2. P. 136–141.

Return to Order // Art in America. September 1981. Vol. 69. No. 7. P. 74–83, 209–211.

†† The De-politicization of Gustave Courbet: Transformation and Rehabilitation Under the Third Republic // October. Fall 1982. Vol. 22. P. 64–78; перепечатано в: Orwicz M. R., ed. Art Criticism and Its Institutions in Nineteenth-century France. Manchester; New York: Manchester University Press, 1994.

† A Thoroughly Modern Masked Ball // Art in America. November 1983. Vol. 71. No. 10. P. 188–201.

† †† Courbet, Oller and a Sense of Place: the Regional, the Provincial and the Picturesque in Nineteenth-century Art // Horizontes. 1985. Vol. 28. No. 56. P. 7–13.

Watteau: Some Questions of Interpretation // Art in America. January 1985. Vol. 73. P. 68–87.

Paintings New Public: Thomas E. Crow, «Painters and Public Life in Eighteenth-Century Paris» [review] // Art in America. March 1986. Vol. 74. No. 3. P. 9, 11, 13, 15.

†† Courbet’s «L’Origine du monde»: The Origin Without an Original // October. Summer 1986. No. 37. P. 76–86.

Degas’ «Young Spartans Exercising» [letter] // The Art Bulletin. September 1986. Vol. 58. No. 3. P. 486–488.

The Political Unconscious in Nineteenth-century Art (guest editor) // Art Journal. Winter 1987. Vol. 46. No. 4; включает: Editor’s Statement. P. 259–260.

«Success and Failure at the Orsay Museum, or Whatever Happened to the Social History of Art?» (Contribution to «A Symposium: the Musée d’Orsay») // Art in America. January 1988. Vol. 76. No. 1. P. 85–88.

«Le chêne de Flagey» de Courbet: un motif de paysage et sa signification // Quarante-huit/Quatorze. 1989. No. 1. P. 15–25.

Fragments of a Revolution // Art in America. October 1989. Vol. 77. No. 10. P. 156–167, 228–229.

State of the Art: Philip Pearlstein, «Portrait of Linda Nochlin and Richard Pommer» // Artforum. September 1993. Vol. 32. No. 1. P. 142–143, 204.

Flesh for Phantasy: Lucian Freud — Frayed Fraud // Artforum. March 1994. Vol. 32. No. 7. P. 54–59; см. также отклики и возражения в: Artforum. November 1994. Vol. 33. No. 3. P. 7–8.

Géricault, or the Absence of Women // October. Spring 1994. No. 68. P. 45–59; перепечатано в: Michel R., ed. Géricault, Paris: La Documentation française, 1996. P. 403–422.

Vassar, Art and Me: Memoirs of a Radical Art Historian // Vassar Quarterly. Spring 1994. Vol. 90. No. 2. P. 20–24.

Conversation with Thierry Mugler, in Holly Brubach, «Whose Vision Is It, Anyway?» // New York Times. 1994. July 17. Section 6. P. 46–49.

Forest Ranger: Simon Schama, «Landscape and Memory» // Artforum. October 1995. Vol. 34. No. 2. P. 15, 114.

Cézanne: Studies in Contrast // Art in America. June 1996. Vol. 84. No. 6. P. 56–67, 116.

Art and the Conditions of Exile: Men/Women, Emigration/Expatriation // Poetics Today. Fall 1996. Vol. 17. No. 3. P. 317–337; перепечатано в: Suleiman S. R., ed. Exile and Creativity: Signposts, Travelers, Outsiders, Backward Glances. Durham, NC: Duke University Press, 1998.

The Vanishing Brothel: John Richardson, «A Life of Picasso, vol. 2: 1907–1917»; Mailer N., «Portrait of Picasso as a Young Man»; and «Picasso and the Spanish Tradition» [review] // London Review of Books. 1997. March 6. Vol. 19. No. 5. P. 3–5.

Hughes R., «American Visions» [review] // London Review of Books. 1997. October 30. Vol. 19. No. 21. P. 10.

Objects of Desire: the Modern Still Life [review] // Artforum. October 1997. Vol. 36. No. 2. P. 91–92.

Matisse and Picasso: a Gentle Rivalry. Interview with Yve-Alain Bois // Artforum. February 1999. Vol. 37. No. 6. P. 70–77, 114–115.

Issues & Commentary: Saluting ‘Sensation’ // Art in America. December 1999. Vol. 8. No. 12. P. 37, 39.

Of Self and History: Exchanges with Linda Nochlin. Interview by Moira Roth // Art Journal. Fall 2000. Vol. 59. No. 3. P. 18–33.

— and Solomon-Godeau A. Sins of the fathers: «Posséder et Détruire», Louvre, Paris [review] // Art in America. December 2000. Vol. 88. No. 12. P. 92–101, 135.

Contribution to «Whither the Field of Nineteenth-century Art History?» // Nineteenth-Century Art Worldwide. Spring 2002. Vol. 1. No. 1, online.

Mirroring Evil: Nazi Imagery / Recent Art [review] // Artforum. Summer 2002. Vol. 40. No. 10. P. 167–168.

Christian Schad and the Neue Sachlichkeit [review] // Artforum. June 2003. Vol. 41. No. 10. P. 179.

Less than More: Venice